Congratulations to all finalists and honorees.
Meet the 2025 Honorees
Reflecting on the performances that shaped flute artistry in 2025
- January 2, 2026
- Voices of Excellence
Where artistry becomes continuity
Looking Back at a Year the Flute Will Remember
As 2025 draws to a close, certain musical moments remain vivid long after the applause fades. Not because they were louder or more publicized, but because they changed perspective — on an instrument, on performance, and on what feels possible on today’s stage.
When the year is viewed as a whole, its defining voice becomes clear.
The Performer of the Year 2025 is defined by one name:
Paolo Taballione (Italy).
A Year Shaped by Artistic Vision
What set 2025 apart was not a single spectacular appearance, but a coherent artistic journey — performances connected by intention, authorship, and a strong, unmistakable identity.
Throughout the year, Paolo Taballione demonstrated a rare balance: commanding virtuosity paired with narrative thinking, technical fearlessness guided by musical intelligence, and a clear sense that each project existed for a reason beyond display. His performances did not ask for attention. They held it.
Carmen Fantasie: Reimagined — and Reclaimed
At the center of the year stood a project that quickly became a reference point: Franz Waxman’s Carmen Fantasie, realized for flute and chamber orchestra with L’Appassionata.
Originally written for violin, the work’s operatic drama and extreme virtuosity make it an unlikely candidate for convincing transformation. Yet Taballione’s version does not imitate another instrument’s brilliance; it reclaims the work for the flute, revealing its theatrical power, sensuality, and dramatic tension through breath and color.
On stage, leadership emerges through sound rather than gesture. Phrasing, timing, and articulation guide the ensemble from within, shaping a performance that unfolds as a single, continuous narrative. Virtuosity is ever-present, yet always in service of storytelling. The flute speaks with vocal immediacy, sustaining drama over long spans with authority and intensity.
Seeing the Flute Differently
What set this project apart was not only how it sounded, but how it was seen. Conceived cinematographically, the performance integrates camera movement and framing as extensions of the musical narrative. Rather than documenting a concert, the visual language becomes part of the interpretation itself.
In a field where flute performances are rarely imagined beyond the concert stage, this fusion of sound and image gives the instrument a new physical and visual presence — confident, central, and unmistakably modern.
A Moment That Traveled the World
If Carmen Fantasie revealed the breadth of Taballione’s artistic imagination, another moment in 2025 distilled his artistry into pure intensity.
At Teatro Palladium in Rome, his encore performance of Flight of the Bumblebee was delivered at a relentless tempo — in one uninterrupted breath, using circular breathing. The performance spread rapidly on social media, not because of spectacle alone, but because of its precision, rhythmic stability, and calm authority under extreme physical demand.
It was virtuosity stripped of excess — direct, fearless, and exact — and a reminder that at the highest level, virtuosity often appears effortless, even when it is anything but.
On the World’s Most Visible Stages
The year also placed the flute at the center of major international platforms. In May 2025, Paolo Taballione appeared as solo flutist with the Berliner Philharmoniker at the Europakonzert, conducted by Riccardo Muti and broadcast worldwide to audiences in more than 80 countries.
Alongside these performances, he remained deeply engaged in education, leading an Advanced Flute Course at the MusicaRiva Festival. The same clarity, discipline, and musical honesty that define his performances shaped his work with advanced students.
A Year That Came Into Focus
Some years are remembered for variety. Others for momentum. And then there are years that feel anchored — shaped by an artistic presence that lends them gravity and direction.
In 2025, flute performance carried such an anchor.
The Performer of the Year 2025 nomination reflects a year considered in its entirety — a year in which the flute was repeatedly entrusted with serious musical responsibility and answered with authority, imagination, and sustained excellence at the highest level.
It marks a moment of reflection:
on a year shaped by enduring artistry,
and on a performer whose work gave that year its lasting contours — Paolo Taballione.
All nominations, including those in single-nominee categories, are subject to full review and confirmation by the judging panel. Final results will be announced on January 10, 2026.
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